The escalating challenges caused by the climate change, notably floods and heatwaves, highlights the urgent need for robust resilience strategies in infrastructure and urban ecosystems. this research identifies critical gaps in existing methodologies and tools for assessing resilience, particularly during extreme events. Key issues include the absence of specialized tool for facade resilience quantification, limited multi-hazard assessment methodologies and a scarcity of quantitative methods in existing literature. In order to fill these gaps, this study formulates a research question: How can we identify the optimal facade combination that is resilient against heatwaves and floods?

A quantitative approach is employed, integrating an interdisciplinary perspective that encompasses structural design, facade design, climate design and hazard engineering. The methodology involves an extensive literature review, computational simulations, machine learning models, sensitivity analysis and resilience matrix for quantification of flood and heatwaves resilient facade system.

This study fills crucial gaps by offering a framework to assess facade resilience against these hazards. It identifies influential facade parameters and primary hazard stressors, crucial for informed decision-making by designers and engineers. The study culminates in a resilience quantification for multi-hazard assessment, empowering stakeholders to design resilient facade systems tailored to specific environmental contexts. The research findings contribute to advancing knowledge in building facade resilience, offering practical guidance for enhancing resilience in the face of evolving environmental challenges.

Temporarily on show in Het Nieuwe Instituut’s Gallery 3 is the futuristic Variable Stiffness chaise longue. Developed by TU Delft’s Robotic Building Lab in collaboration with 3D Robot Printing, it can change shape as the user changes their posture, becoming a recliner or a chair. Due to its unique production process, Variable Stiffness is on one of the 10 innovation stamps, produced in a collaboration between TU Delft and PostNL, which also feature in the exhibition.@en

The project focus on a continuous old wall, which separates the site into two, as the “Spolia”. According to the research on both previous and present urban pattern of the neighborhood, the value of the wall is reflected: it is one of the few remnants of the buried river and a defining character in the sites social manifestation. As a result of interactions with the differing segments of wall, it was renovated again and again and the qualities are variant. The wall acts as connection and separation, nature and built environment, protection and orientation, closure and openness. The intention of the master plan is to create a community oriented block, with the wall connect the newly added public facilities and form a linear landscape run through the whole block, thereby inverting the space along the wall from “back” to accessible “front” to serve the residents living in the neighborhood. The architectural program in the master plan is a public building that consists of a library and a sports center. The meaning of a street corner is also taken into consideration due to the site location. The corner building, works as an entrance of the linear “wall” space. Following the alley along the wall from a street corner, a vivid “front”, represents both a spiritual core of history and cohesion of the neighborhood.

The theme of the studio, spolia, is a term from archaeology, which is to place remnants in a new environment. The project started research of a historical river in the city—the Senne in Brussels. The river influenced the urban development of the whole city morphologically and typologically. Interventions regarding the river show how local people treat spolia. The site is also located along the trace of Senne. A typical wall was formed because of the covering the Senne. It indicates the history but also segregates and influences current situations. It serves as such an important role that it should not be easily discarded. It is the spolia for this site. There is a big difference between the two sides of the wall--living and working, nature and the built environment, leisure and production. The urban concept is to reuse the wall to activate the neighbourhood, increase housing and public facilities and remove the productive constructions to the suburban area. The urban regards the wall as the main spolia and returns the centre of the block to the public. The wall frames the public facilities and parks of the community garden. The architectural proposal continues the focus on the wall as the spolia and explores how to treat it on the architectural scale. The project deals with three issues: the urban gestures facing different sides, the combination of the elderly and the children and the reuse of the existing wall. Among these, to reuse and reconfigure the wall intertwine the other two and becomes the main spine of my project. In the architectural scale, the content of spolia can be enriched. The wall is not only a line. It has the thickness; it has structure; it has a function. The wall acts as the perimeter of the project and organizes programs. The two user groups share an event hall and the kitchen. They have visual connections but also have their privacy. The façade intends to remain the solidness of the wall and make the new open and light while ties in with the old. So for the new façade, the frame can open up the courtyard by reducing the mass of the wall. The original texture of the old is remained to highlight the old wall. The façade also uses similar bricks of the old wall but uses different bonding to create a subtle difference between new and old. Especially for the entrance, light and translucent material is applied to the cladding to express an opening of the old. The interior use wood floor and plaster wall to release the heaviness of the texture of the bricks. In conclusion, my project lies partly in the urban solution. It articulates and celebrates an existing wall from urban scale down to materialization. In different stages, the content of the wall is enriched and enhanced.

Exhibitor '4TU Variable Stiffness' at Red Carpet Dinner, Rotterdam.@en

Exhibitor '4TU Variable Stiffness' at Delft Science Centre.@en

Exhibitor '4TU Variable Stiffness' at Dutch Design Week 2018, Eindhoven, 20-28 October 2018@en

Exposition ‘Mutations-Créations / Imprimer le monde’, Centre Pompidou in Paris, March 15 - June 19, 2017.@en